It is an illegal, uncompromising, highly dangerous documentary, shot in one take, without any special effects as the director starts his car early in the morning and races through Paris with complete disregard for traffic lights, one-way streets, cars, buses and pedestrians - to meet with his wife 8 minutes later in one intensely romantic ending.
C’était un rendez-vous (1976) dir. by Claude Lelouch
One rule: NO changing your desktop once you’ve been tagged! Even if it is embarrassing!
I was tagged the absolutely magical widespindriftgaze to show everyone what my desktop looks like, and hey, look: I did it! It’s an absolute disaster. So, let’s start: my background is a badass pattern of my lady-hero Audrey Horne. To the left we have all of my writing, script folders and final draft files. To the right we have my personal photo files. Mostly consisting of projects that I’ve worked on (patterns for Sony, Adult Swim shoots, hitRECord & etc!), there’s a dvd is in my drive right now (my favorite Godard at the moment) VIVRE SA VIE, two self portraits from June that I’ve yet to post, a Gustav Klimt painting subtitled with Kanye (also could be Brenda Lee) lyrics, a still from NIGHTS OF CABIRIA, and lastly, a photograph of a diner wall that I love.
I tag: phenomenaaa, infinitybuttons, zaynmistakes, smudgeofpaint, traum-novelle, persephoneed, earthlyflower & whoever else wants to do it! (also, if i tagged you and you don’t wanna, you don’t have to!)
Deborah Turbeville - Anh Duong and Marie-Sophie Emanuel Ungaro, Vogue (1984).